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Death is not taken lightly in Scream 7, even as the kills get outrageous. By the time the franchise got to Scream 3, it began giving into an ugly slasher cliche: making most of the victims unlikable before they die. Presumably, this is so the audience can enjoy the violent spectacle, rather than being saddened as the body count grows. In Scream 3, this series turned abruptly misogynistic, featuring a blonde actress (Jenny McCarthy) who is depicted as "nagging" before being slaughtered, then a sweet ingénue (Emily Mortimer) who, before being killed, is slutshamed for sleeping with a producer to get the role of Sidney in Stab 3. (See also Alison Brie's wickedly opportunistic PR agent in Scream 4.)
We do not know why the Dark Breakfast Abyss is empty. But by anthropic reasoning, we should conclude that it is empty for good reason. The International House of Pancakes is playing a dangerous game. If someday a remote IHOP splashes a little too much batter in their omelette, cooks the Forbidden Breakfast, and thereby brings about the end of the world, well, at least we know the Waffle House will be open.